Metti Oli's lessons June 18th, 2005, was the D-Day for director Thirumurugan and his team. All those who watched the 'Metti Oli Kondattam' for close to three hours will stand testimony to this.

Sep 11, 2004  now we have to do a survey on who were all left behind - antharathil oonjal aadum characters yar yar?? Very predictable - end was big sothappal - we are yet to see it here - do not know whether we will get to see the fringe benefits but would sure see episode 811 i guess - not that i am going to miss seeing the rest - thanks to MO - pretty disappointing pa.

The viewers were excited as well as anxious for the final episode that was telecast at the end of the felicitation. DMK chief Karunanidhi, lyricist Vairamuthu, actress Manorama, and Kalanidhi Maran, the managing director of Sun Network, were some of the many celebrities who attended the function that was organised as a parting gift for the dedicated team of Metti Oli. Advertisement The 'kondattam' gave a fair chance for the viewers to air their opinions regarding the serial. Each call added another feather to the director's cap.

In spite of the lull the serial created with its 800+odd episodes, constant sobbing, and repeated situations, Metti Oli was lauded as one of the memorable mega serials. What made this possible? Metti Oli is one of the Sun serials that hit the highest TRP ratings.

What was attractive about the serial that it made the young and the old, men and women alike be hooked for half-an-hour everyday? The final episode was looked forward to with anticipation.

What's the message the director was conveying to his fans? It's very simple to find the answers: Life is not a bed of roses so be ready to confront it with all the challenges it promises.

The portrayal of the problems faced by the daughters in the story is a precaution for women to be prepared for what is in store for them. This is not to scare them away from family life but just to admonish them ahead so that when the reality hits them in the face, they will be able to handle the situation more shrewdly. Women should be strong, tough, and stick to thier convictions: this is Neela's message. However, do not come to rash conclusions, be stubborn and adamant: you have Viji's life in front of you. Mothers are next only to gods but do listen to your other half also: Manickam's life proves this.

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Women need to be patient, adjusting and enduring but should not wait till it becomes too late: this is Saro. Even 'marumagal' has her own feelings and emotions so do respect her: Rajam begs to be heard. Women identified themselves with the characters in the story. The realism of the plot was the major attraction. Ravi, Manickam are examples of people who are seen, met and lived with everyday. 'It's a kudumba kadhai. There are no villains or larger-than-life-size fights.

It's the everyday family situations that moved the story forward,' says Meenakshi, a die-hard fan of Metti Oli. The director's handling of the story needs to be mentioned - all the episodes, in spite of the enormity of the number, were connected well; nothing was left hanging in the air. Though the director had to deal with the incidents that revolve around five daughters' lives, he has brought them all to a coherent unity.

However, the viewers were concerned about these: the realism the director has aimed at has been, sometimes, exaggerated. 'There are mothers-in-law who grudge their daughters-in-law some things. But could a 'maamiyar' be as cruel as Rajam? And, the daughter-in-law needs to be patient.

However, Saro should have opened up long time ago. She shouldn't have waited till her father's death.

Are there 'marumagals' who are so patient nowadays? In fact, many of them find their voices and the problems could be solved if they find their tongue when they have to talk,' says Rajendran. A small dose of crying now and then appeals to the viewers but the director had overshot the mark in that attempt.

This did not find favour with the intelligentsia. If only he had shortened those weepy scenes.